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Nakedness, fragility, vulnerability, should cause us sadness, sorrow or at least compassion. Specialy when talking not about bodies; but about the nakedness of thought. The most intimate we have, what really makes us individuals.

The belly

In the center of this bag of wishes and dreams that we are, where we digest, where we engender, we all have a scar.
Silver gelatine on cotton paper. 65 x 170 cm.

La Por (Fear)

My nephew Lucas, me and my uncle Luiz Simoes. Platinum on cotton paper. 70 x 160 cm.

Three self-portraits for my concrete head

Self-portraits in silver gelatin on concrete sculptures with my glasses from the last decades and acrylic on wood. 40 x 90 x 25 cm.

Three pairs of chairs

One silver gelatine on coton paper and two Silver gelatine on transparent acrylic overlapped. 50 x 55 x 5 cm.

Nudes and Vunerable

Silver gelatin on glasses of mini TVs over acrylic on wood. 60 x 20 x 8 cm.

Sense cap ni peus (without rhyme or reason)

Pigmented inkjet and acrylic varnish on canvas. 135 x 170 cm.

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No body

Silver gelatine on cotton paper in a bath. 70 x 170 x 13 cm.

Clothes

Silver gelatine on cotton paper, oxidised iron framed. 105 x 180 cm.

De un polvo vienes y al polvo volverás (From a fuck you come and to dust you shall return)
Terracotta, metal dust, pigmented inkjet and varnish on canvas. Oxidised iron framed. 102 x 197 cm.

Work in progress

Paradigm

Three vintage slide projectors, digital control unit, software, sound, and nine black and white slides.

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Luiz Simoes

contemporary artist
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